The Cannes Film Festival closed its 75th edition this Saturday, May 28, with the delivery of a list of winners led by the Palme d’Or to Ruben Östlund for his film “Triangle of Sadness”, his second in the competition, after “The square” (2017).
✨ Ruben ÖSTLUND laureate of the Palme d’or #Cannes2022 pour TRIANGLE OF SADNESS (SANS FILTRE) ! Congratulations to all the film crew!
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✨ Ruben ÖSTLUND has been awarded the #Cannes2022 Palme d’or for TRIANGLE OF SADNESS! Congratulations to the whole film crew! pic.twitter.com/a4C6d9mOSe— Cannes Film Festival (@Festival_Cannes) May 28, 2022
List of winners of the 75th edition of the Cannes Film Festival
– Palme d’Or: “Triangle of Sadness”, by Ruben Östlund
– Grand Prize “ex aequo”: “Close”, by Lukas Dhont, and “Stars at Noon”, by Claire Denis
– Best Director Award: Park Chan-Wook for “Decision to Leave”
– Best Screenplay Award: “Boy from Heaven”, by Tarik Saleh
– ‘Ex aequo’ Jury Prize: “Le otto montagne”, by Felix van Groeningen and Charlotte Vandermeersch, and “Eo”, by Jerzy Skolimowski.
– Best Actress Award: Tsar Amir Ebrahimi for “Holy Spider”
– Best Actor Award: Song Hang Ko for “Broker”
– 75th Anniversary Special Award: Jean-Pierre and Luc Dardenne for “Tori and Lokita”
OFFICIAL SECTION A CERTAIN LOOK
– Un Certain Regard Award: “Les pires”, directed by Lise Akoka and Romane Gueret
– Jury Prize: “Joyland” by Saim Sadiq
– Best Director: Alexandru Belc for “Metronom”
– Acting Award: Vicky Krieps in “Corsage” and Adam Bessa in “Harka”
– Best Screenplay: “Mediterranean fever”, by Maha Haj
– Hunch Award: “Rodeo” by Lola Quivoron
GOLDEN CAMERA FOR THE BEST OPERA FIRST IN ALL OF CANNES
”War Pony,” by Riley Keough and Gina Gammell, featured in Un Certain Regard
Special Mention: “Plan 75″, by Chie Hayakawa
SHORT FILMS
– Palme d’Or: “Hai bian sheng qi yi zuo xuan ya”, by Jianying Chen
– Special Mention: “Lori”, by Abinash Bikram Shah.
CINFOUNDATION
– First prize: “Il barbiere complottista”, by Valerio Ferrara
– Second prize: “Di er””, by Li Jiahe.
– Third prize “ex aequo”: “Glorious revolution”, by Masha Novikova, and “Les humaines sont cons quand ils s’empilent”, by Laurène Fernandez.
Source: Elcomercio