Embollérate: The skirts of Peru

Sources

Correa, M. (April 29, 2023). The value of Andean skirts.

Dalmau, R., & i Janer, JMS (1946). History of the suit (Vol. 1). Dalmau Bookstore.

Pagan-Teitelbaum, I. (2008). Glamor in the Andes: the representation of indigenous migrant women in Peruvian cinema. “Glamour in the Andes: The Representation of Indigenous Migrant Women in Peruvian Cinema”.

Páucar, D. (July 8, 2023). Revaluation of Peruvian skirts and Andinophobia.

Perez, G. (April 13, 2023). History and meaning of the skirts in Peru.

Quispe, Q. (June 22, 2023). Characteristics and types of Peruvian skirts.

Recasens, AV (2020). Andinophobia in PRIME-TIME: LA PAISANA JACINTA and the television lynching of Andean women in Peru. In Indigenous media: theories and experiences of indigenous communication in Latin America (pp. 371-409). Iberoamerican Vervuert.

Rios Acuna, S. (2007). Clothing and identity in the Mantaro Valley: The Kutuncha.

Vanidades, Weekly of the Official Gazette El Peruano (2009). Peruvian embroiderer THE MESTIZO SKIRTS AND THEIR INSPIRED DESIGNS.

Wharton, M. (May 4, 2023). The future of Andean skirts in the entertainment and fashion industry.

credits

Interviewees

Milena Wharton, Andean pop singer-songwriter.

Dina Paucar, singer-songwriter of Andean and vernacular music.

Meche Correa, Peruvian fashion designer.

Griela Perez, founder of the brand Las Polleras de Agustina.

Qarla Quispe, founder of the Warmichic brand.

Adrian Uribe, Folk Dance Researcher.

Tatiana Miljanovich, teacher and professional dancer.

Texts and research: Luciana Villegas and Mireya Peredo.

Photography and video: Joel Alonzo.

Illustrations for networks: kiomy kanashiro

Production: Fernando Lozano.

Realization: New EC Narratives: Design: Marcelo Hidalgo / Programming: Armando Scargglioni / Coordination: Angela Peña